This Image was taken by Edward Chambre Hardman in 1966/7 at Withnell Fold by the Leeds-Liverpool Canal. This is one of a series of images ECH took of Tyson Smith over the course of his career, but is the first exterior location portrait I have found to date. Most of the portraits are more commercial studio based work, either shot in Tyson Smith's studio or at ECH's studio in Rodney Street.Monday, 7 March 2011
George Herbert Tyson Smith - Liverpool Sculptor
This Image was taken by Edward Chambre Hardman in 1966/7 at Withnell Fold by the Leeds-Liverpool Canal. This is one of a series of images ECH took of Tyson Smith over the course of his career, but is the first exterior location portrait I have found to date. Most of the portraits are more commercial studio based work, either shot in Tyson Smith's studio or at ECH's studio in Rodney Street.Monday, 28 February 2011
Susan Bright Quote
“A portrait is the questioning or exploration of self and identity through a literal representation of what somebody looks like.”
Bright,S.2005. Art Photography Now.London.Thames & Hudson
Bright,S.2005. Art Photography Now.London.Thames & Hudson
John Tagg Quote
“The portrait is a sign whose purpose is both the description of an individual and the inscription of social identity.”
John Tagg - The Portrait in Photography by Graham Clarke - 1992
John Tagg - The Portrait in Photography by Graham Clarke - 1992
Supervisory Meeting - 23/02/11 @ MIRIAD
Present - Simon Faulkner / David Brittain
Notes from meeting:
Notes from meeting:
- The Meeting discussed Keith’s RD1 proposal and was focussed on further clarifying his project which remains more complex than it probably should be.
- It was suggested that he write a further version of the proposal which backgrounds the issue of typology and foregrounds portraiture involving a comparison and referential relationship between the Hardman images and the photography Keith is going to produce. It is envisaged that this will simplify and clarify the project.
Richard Avedon Quote
“A portrait is not a likeness. The moment an emotion or fact is transformed into a photograph it is no longer a fact but an opinion. There is no such thing as inaccuracy in a photograph. They are all accurate. None of them is the truth.”
Avedon, R.1985. In the American West - Richard Avedon Photographs 1979-1984. London. Thames & Hudson
Avedon, R.1985. In the American West - Richard Avedon Photographs 1979-1984. London. Thames & Hudson
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